Resale Rights For Artists

Are you a visual artist? Have you sold works of art that are now being resold? You may be entitled to a share of the proceeds of sales of your physical works that are no longer owned by you.

An artist’s resale right, otherwise known as the “Droit de Suite” gives artists a right to a royalty from the proceeds of re-sales of their works.

In Europe, the right was introduced in 2006. It entitles artists to a share of the proceeds from sales of their works by an art market professional such as a gallery, auction house, dealer or agent. The right, which does not apply to a first sale of a work, applies to sales exceeding Euros 1000 and is calculated on a sliding scale (from 4% going down to 0.25%) with an earnings cap of Euros 12,500.

In the UK, which ratified the European artist resale right in 2006, the right applies to works created by artists who have been dead for less than 70 years. In order to secure resale rights artists must do so through an approved collecting society. One such collecting society is the Design and Artists Copyright Society in the UK.

The right exists in various forms in as many as 50 jurisdictions around the world. Interestingly, the right has developed a long way since an intergovernmental copyright committee held in Geneva in 1958 stated that “only four or five States have, so far, included this right in their national legislation”.

In the US, the right was introduced into Californian law back in 1976. The California Resale Royalty Act (Civil Code section 986) entitles artists, to 5 percent of the resale of any work of fine art of $1,000 or more and continues for the life of the artist plus 20 years.

Towards the end of 2011, a bill called ‘The Equity for Visual Artists Act 2011’ was put forward in the US. This bill, when accepted, will require large art auction houses to pay 7% royalties on re-sales of artworks for over $10,000. The rule would only apply only to works of living artists, and deceased artists whose works are still protected by copyright. Further, only auction houses with annual sales of $25 million or more would have to pay such royalties. The rule will not apply to auction sites that operate only on the internet or to private sellers. An interesting alternative point of view on this bill and other related matters can be found here.

Sadly, the right does not exist in Israel. This essentially means that artists need to cater for such scenarios contractually.

Record companies win first round v The Pirate Bay in the UK but pirates remain at large

In a decision handed down by Mr Justice Arnold on 20 February 2012, the High Court finds that UK users of The Pirate Bay website are liable for copyright infringement for communicating copyrighted sound recordings to the public and that the operators of The Pirate Bay authorise infringements of copyright by its users and are jointly liable for these copyright infringements (Dramatico Entertainment Limited & others v British Sky Broadcasting Limited & others [2012] EWHC 268 (Ch).     

Record companies win first round v The Pirate Bay in the UK but pirates remain at large – Lexology.