The US Supreme Court on Monday agreed to consider whether an eBay seller needs the consent of a copyright owner to import and resell books manufactured abroad.

Though U.S. law gives such freedom under the first-sale doctrine, the idea of applying the rule to foreign works is novel.

Unable to use the doctrine as a defense, Supap Kirtsaeng was ordered by a federal jury in Manhattan to pay $600,000 in damages to John Wiley & Sons for copyright infringement.

For full article see: Courthouse News Service.

Are you a visual artist? Have you sold works of art that are now being resold? You may be entitled to a share of the proceeds of sales of your physical works that are no longer owned by you.

An artist’s resale right, otherwise known as the “Droit de Suite” gives artists a right to a royalty from the proceeds of re-sales of their works.

In Europe, the right was introduced in 2006. It entitles artists to a share of the proceeds from sales of their works by an art market professional such as a gallery, auction house, dealer or agent. The right, which does not apply to a first sale of a work, applies to sales exceeding Euros 1000 and is calculated on a sliding scale (from 4% going down to 0.25%) with an earnings cap of Euros 12,500.

In the UK, which ratified the European artist resale right in 2006, the right applies to works created by artists who have been dead for less than 70 years. In order to secure resale rights artists must do so through an approved collecting society. One such collecting society is the Design and Artists Copyright Society in the UK.

The right exists in various forms in as many as 50 jurisdictions around the world. Interestingly, the right has developed a long way since an intergovernmental copyright committee held in Geneva in 1958 stated that “only four or five States have, so far, included this right in their national legislation”.

In the US, the right was introduced into Californian law back in 1976. The California Resale Royalty Act (Civil Code section 986) entitles artists, to 5 percent of the resale of any work of fine art of $1,000 or more and continues for the life of the artist plus 20 years.

Towards the end of 2011, a bill called ‘The Equity for Visual Artists Act 2011’ was put forward in the US. This bill, when accepted, will require large art auction houses to pay 7% royalties on re-sales of artworks for over $10,000. The rule would only apply only to works of living artists, and deceased artists whose works are still protected by copyright. Further, only auction houses with annual sales of $25 million or more would have to pay such royalties. The rule will not apply to auction sites that operate only on the internet or to private sellers. An interesting alternative point of view on this bill and other related matters can be found here.

Sadly, the right does not exist in Israel. This essentially means that artists need to cater for such scenarios contractually.

EMI Sues Grooveshark

April 6, 2012

EMI Music, the biggest record publisher in the world, has terminated its contract with streaming site Grooveshark. According to BBC’ s News Techology website, this: ”…comes three months after EMI announced it was suing the service for not paying royalties…EMI’s withdrawal means Grooveshark currently has no major record labels on board with the service…”. The steep [...]

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Income Stream Basics for Musical Creators

March 23, 2012

An article written by Eldar Manor and published on the IndiEarth Blog: When a song is performed, recorded and finally distributed, various income streams ensue. What are these income streams, what are their sources, who is entitled to them and how do we ensure that at least a better part of them comes our way? [...]

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Israel’s Big Brother Saga Continues

March 15, 2012

Saar Sheinfine, the runner up in the second season of the israeli version of the Big Brother hit TV series, and now a local celebrity thanks to the intense media coverage the program receives, issued proceedings in the Tel Aviv local court today against the producer of the program, Kuperman Productions and the programs psychiatrist, Dr. Ilan Rabinowitch. According [...]

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Big Brother Looked At

March 10, 2012

The 2nd Authority for Television and Radio, Israel’s commercial TV and Radio regulator, has commenced looking into the psychiatric treatment that is given to participants in the Israeli version of the hit prime time reality TV show “Big Brother“. Israeli news has been flooded in recent days with the revelations that some of the participants in [...]

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Pinterest’s popularity soars, but copyright questions abound

March 8, 2012

Pinterest is a “virtual pinboard” that “lets you organize and share all the beautiful things you find on the web.” Pinterest’s sole function is to provide a network of virtual pinboards and a means for its users to “pin” photos to them. Unlike Facebook, YouTube, and Twitter, Pinterest isn’t about user-generated content. Beyond the ability [...]

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Record companies win first round v The Pirate Bay in the UK but pirates remain at large

March 7, 2012

In a decision handed down by Mr Justice Arnold on 20 February 2012, the High Court finds that UK users of The Pirate Bay website are liable for copyright infringement for communicating copyrighted sound recordings to the public and that the operators of The Pirate Bay authorise infringements of copyright by its users and are [...]

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UK: The Digital Economy Act 2010 and online copyright infringement

March 4, 2012

The Digital Economy Act 2010 and online copyright infringement.

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Software Licensing Compliance

February 24, 2012

Most of us use software. Any software we use is regulated by the terms of the particular software license. Many software licenses especially those that are not open source, limit in various ways software use. Some licenses allow home use only, some limit the amount of computers a software may be used on and some are [...]

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